| Dimensions | 120 mm |
|---|---|
| Focal Length (mm) | |
| Max Aperture (f) | |
| Aperture Blades | |
| Elements | |
| Rear Mount | |
| Front Thread |
Leica Elmarit-P2 120/2.8
Black polycarbonate-barrel slide projector lens. Multicoated. Probably same optical formula as Elmarit-P: reflections and bokeh suggest triplet, but certainly three-group.
Category: Transparencies
Reviews
Add a review Cancel reply
Related to . . .
Related products
-

Agfa Agolar 85/2.5
Compare -

Agfa Color-Agolon 90/2.5
Compare -

AG Optical Trionar 152/3.5
Compare -

Benoist Berthiot 90/2.8
Compare -

Ansco 127/3.5
Compare -

Agfa Agomar 90/2.4
Compare -

Argus Projection Anastigmat 100/3.3
Compare -

Argus Projection 100/2.8
Compare -

A. Schacht Travenon 85/2.8
Compare -

Bell & Howell Trionar 127/4
Compare -

Agfa Variomar 80-125/3.1
Compare -

Aldis Tele-Projection 250/3.5
Compare -

Agfa Agomar 100/2.5 [V2]
Compare -

Benoist Berthiot 90/2.5
Compare -

Apollo 100-150/3.5
Compare -

Arsenal Triar-3 85/2.8
Compare -

Appro 100-225/4
Compare -

Pentacon AV 200/4
Compare -

Aldis Anastigmat 85/2.5 [V1]
Compare -

Agfa Color-Agolar 85/2.8
Compare -

Agfa Agomar 85/2.5 [V1]
Compare -

Agfa Agomar 150/2.8 [V2]
Compare -

Benoist Berthiot 60/1.6
Compare -

Bell & Howell Trionar 100/3.5
Compare -

Agfa Agolon 90/2.5
Compare








16:9 –
The legacy of the Leica 120mm projector lens stretches back to the original Hektor. It is likely that this Elmarit-P2 version is unchanged from the P-mount version. It was certainly redesigned for the metal-barrel Elmarit-Pro. A distinct trio of reflections confirms this is a three-group lens – perhaps no more exotic than a stock air-spaced triplet – a conjecture supported by its notably bubbly bokeh, quite unlike the Colorplans or its 150mm sibling, which are (respectively) clearly, and slightly, sharper. The vagueness around its construction signals not only Leica’s close-fisted stance on releasing production information about their projector lenses, but the equally locked-down construction of these plastic ‘monocoque’ optics that have no visible threads, tool notches, or otherwise apparent means of disassembly. It feels like you’d really have to break one to repair one. On the plus side, sealing the cells like this ensures that you rarely come across an Elmarit-P2 with internal dust or fungus.
Rendition is smooth, with rather more glow, or spherical aberration, than you might expect from Leica glass of the 1990’s. It’s understandable why Leica were keen to completely redesign this lens for the release of the Ektapro-compatible RT and RT-m series.