| Weight | 71 g |
|---|---|
| Dimensions | 90 mm |
| Focal Length (mm) | |
| Max Aperture (f) | |
| Min Aperture (f) | |
| Aperture Blades | |
| Elements | |
| Sharp (Near) | |
| Sharp (Far) | |
| Rear Mount | |
| Flange-Focal Distance (mm @ ∞) | |
| RF/L Extension (mm) |

Agfa Agomar 90/2.8
Slide projector lens AKA Wetzlar, and Reflecta Agomar Multicoated.
Category: Transparencies
Reviews
Add a review Cancel reply
Related to . . .
Related products
-

Arsenal Triar-3 85/2.8
Compare -

Benoist Berthiot 60/1.6
Compare -

Agfa Agomar 70-120/2.8
Compare -

Agfa Color-Agolar 85/2.8
Compare -

Agfa Agolon 90/2.5
Compare -

Bauer Neovaron 80/2.8
Compare -

AG Optical Trionar 152/3.5
Compare -

Bell & Howell Trionar 100/3.5
Compare -

Aldis Anastigmat 152/4
Compare -

Agfa Agomar 85/2.8 [V4]
Compare -

Agfa Color-Agolar 250/4.5
Compare -

Argus Projection 100/2.8
Compare -

Arsenal Triar-1 150/3.5
Compare -

Argus Projection Anastigmat 100/3.3
Compare -

Braun Color-Autogon 85/2.8
Compare -

Agfa Agomar 85-150/4
Compare -

Agfa Agomar 85/2.5 [V1]
Compare -

Ansco 127/3.5
Compare -

Airequipt Luminac 100/3.5
Compare -

Aldis Tele-Projection 250/3.5
Compare -

Benoist Berthiot 90/2.8
Compare -

Agfa Color-Agolon 90/2.5
Compare -

Agfa Variomar 80-125/3.1
Compare -

Benoist Berthiot 90/2.5
Compare -

Agfa Agomar 60/2.8
Compare


16:9 –
The Agfa Agomar, AKA Reflecta/Wetzlar Agomar 90mm f2.8, is a commonly-available entry-level projector lens that suffers from extreme flare susceptibility and hot-spotting despite its multicoating.
Typically, projector lenses have a sweet spot of high resolution in the centre frame, deteriorating rapidly in the outer image circle. However at distance, the Agomar 90/2.8 only rises to a peak of 6.8, with Zone 3 sinking to 5.9. Near-field shooting flattens Zone 1 resolution to the same low level (6.0) as Zone 3 (5.8). It is consistently soft all over, rendering images with vintage glow and smeared focus transitions, with a thin-walled soap-bubble bokeh typical of a triplet in a well damped barrel. On a 35mm sensor there’s minimal swirling, with cat-eyes developing predictably across an image circle that appears to be at least 55mm in diameter, allowing space for movements or coverage of a medium format sensor – where swirly bokeh would strongly feature. Colours are somewhat muted. As you might expect, the fixed circular ‘aperture’ doesn’t render specular highlights as sunstars.
Few projector lenses of this specification are noteworthy performers, and this one is no exception. In the present market, there’s no difference in price between f2.8 lenses and far more recommendable f2.4 or f2.5 versions.